The album is generally enjoyable, and it's doubtful T.I.
The productions similarly do not match up to past successes, and even some of obvious choices for singles fall short of past tracks that were never thought to be released as singles. tends to either reheat familiar material with less fire or tread dangerously close to unrelatable Kingdom Come-like "Look at who's obnoxiously shedding his underdog status!" routines (as on "My Swag"). Though he undeniably remains one of the top MCs, T.I. After the sustained greatness through Trap Muzik, Urban Legend, and King, a fall-off of some degree had to be expected - especially after reaching the top after a steady climb - and that's exactly what happens. Otherwise, the concept is only somewhat perceptible through the sequence of songs, and it's the only way of positioning the album as something beyond just another T.I. tends to scowl through his rhymes, while you can picture a heavy-lidded T.I. kicks back in a plush den, holding a shot glass.
scowls from a beat-down stoop, gripping a wad of cash dapper T.I.P. This is also signified in the album's outer sleeve and booklet photos. Four years on, after getting real paid (King was the most successful rap album of 2006), the MC constructs an entire album around the penthouse and pavement concept, dividing the program into three acts: T.I.P. is neither as paid nor as laid-back as T.I. vs T.I.P.," where the only strict differences were laid out like this: T.I.P.'s women sell weed and have gold teeth, while T.I.'s women have jobs and good credit, and T.I.P. has been playing with the split-personality concept for years, most notably on 2003's "T.I. Purchase and download this album in a wide variety of formats depending on your needs.
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